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A MOTHER'S LOVE: DERRICK BOATENG

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A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise
A Mother’s Love
By Derrick Boateng
A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

FORBEARANCE

You ought to have a little wait for you will have too little in haste
As quick as lightning strikes it departs therefore it’s better late than never
Time’s process cannot be skipped
Time’s own legs walk slow but sure and do not slip

'Hwimhwim adee ko srosro'
What comes easily goes easily

A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

LEAD US TO YOUR COMFORT

Some are born to delight
Others born to the beauty of the morning rays
I was born to the mystery of a woman
One that my eyes could never seem to understand
I had no wings to fly
But your strength alone elevated me beyond the heavens
Your teachings have brought me down humbly to the bed of the ground
I know you shall still be present
My briny tears will be neatly wiped off my cheeks
And a drop of fruit I shall always find in my palm before I even reach out.

A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

HOLD ME IN YOUR STRENGTH

When faint nature cried
you heard it deeply
You never denied
But your sincere eyes lit that fire within me
And your vigorous remedy concealed my wounds
Your wisdom always blinded them from seeing my weakness
You showed me strength, pride, and humility
You showed me silence without void

A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise
A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

THE PRIDE OF MOTHERHOOD

A love that transcends beyond the nakedness of the eyes
Far more than any mind could ever imagine
In the depths of an ocean of souls
Far from the sense of emotions
A mother’s love one cannot tempt
Each day the doves find home within its borders
When we are carried we are drained of all pains, bitterness, and doubts
Our feet are protected from pains
Even when night gallops down the sky
We know your smile shall usher us to the brightest morning
It is just how you treat us like a prince

'Mmofra ne nkwa mu akatua'
Children are the reward of life

A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

EMBRACE OF HERITAGE

Just as the sheep’s smell stays on the skin of a shepherd, the values of a mother stick with her daughter and are passed on to her daughters after her
A lasting scent inhaled all through generations that marks with pride, an heir
A parent like her own offspring
An offspring a symbol of a mother’s offering

'Osu bɔ asono were nanso ɛnhohoro nsensanee no'
Rain beats the leopard’s skin but it does not wash out the spots

A GREAT MANY MOTHERS

Words: 1524

Estimated reading time: 8M

By Charlotte Mensah

It’s hard to think of something more abstract than motherhood.

It’s almost ironic. A beautiful nightmare of sorts.

If you were to survey a million people, I’m sure they’d all give you the same definition, and yet I’d be surprised if any of them had experienced motherhood in any kind of similar way.

Motherhood is nuanced and multi-dimensional.

We tend to simplify its stages, and by extension, the life of women as life as before kids, raising kids, and then having adult kids. But that takes away so much of the experience that makes motherhood. Sometimes, I’m a trailblazer pushing the limits of Black hair care. Other times, I’m a mother who just wants to spend time with her family.

Motherhood is seasonal. There’s no fixed feeling about being a mother. It’s as fluid as the speed at which our children grow. Sometimes it’s tough, sometimes it’s easy. Sometimes it feels like there’s nothing more fulfilling. Other times, it feels like there could be so much more. It is, though, a constant state of being present.

We store what preceded the current season in our memory’s museum. We get wiser from it.

Motherhood is an abstract concept and experience. Oscillating between the innate and natural bond, between mother and child, to the nurturing characteristics which are learned, honed, and iterated upon by osmosis. Motherhood is a journey. Some stops along the way feel more familiar than others, but it’s a journey that doesn’t end until we do.

Motherhood has touched me in so many ways.

I was born to my mother, Love Naa Densua, in north west London, where she and my father had migrated a few years prior. Just a few months shy of my first birthday, I moved to Ghana to ensure that I got the love and care that I needed. But equally so that my mother could work the exorbitant hours needed to provide for me and my siblings and a plethora of extended family back home.

From this, I discovered the theme that informs my understanding of motherhood: sacrifice. It’s neither glamorous nor something to valorize. Imagine having to wean yourself off the closeness between you and your child, for the sake of your child. With the risk of disassociation and disconnection, it was done with love and discernment. A response to the world, more than the privilege of choice. That’s what motherhood often is.

It leads me to my next understanding of motherhood: communal experience. We’ve all heard the phrase, It takes a village to raise a child. In Ghana, those villages are made of families with multiple mothers, forming the sum of all our parts to create a holistic experience of care.

It was 1970s Accra—Darkuman, to be precise. Compound living: grandparents, aunties, uncles, siblings, cousins, and cousins of cousins all under one roof. God was worshiped. Food was cooked. Hair was done. All was coordinated by a merry but strong group of women, whom I have the pleasure of calling not only family, but also role models.

My grandmother, Mary Owusua, was the matriarch. Flanked by my mother’s siblings, Aunty Vida, Aunty Diana, and Auntie OP. All of whom were navigating adulthood and their place in the world. My mothers in the absence of my own mother. The people from whom I consciously began to understand what it meant to be a woman.

Aunties OP, Diana, and Vida were skilled at sewing and dressmaking. The latter two were stay-at-home mums, while Auntie OP, the youngest and most carefree, traveled all over the continent for six months at a time, exporting cosmetics in bulk.

The environment in which I grew up was lively. My grandmother and her daughters would cook for their families in front of the coal pot. There were so many mouths to feed. They often fried up fish and made enough stew to last for days. We all had to share from a big bowl, so whenever one of the children took too much, the rest of us would get angry. If you were a slow eater, the greedy ones would leave you behind.

We had a massive garden at the end of the compound where we grew our own produce—yam, plantain, cocoyam—and reared chickens at the back. A mango tree grew there, too. I remember the day when the fruit became ripe; fighting commenced among us kids as soon as the first piece dropped. One of my fondest memories of motherhood was taking my son to that very compound when he was four years old, watching him do the same things we did as kids.

In all these women, I was privileged enough to learn what motherhood and womanhood meant simultaneously. They provided care, but that was only an aspect of their character. More importantly, I learned that ‘care’ was not the only thing that defined a woman or a mother. These were young women balancing the responsibility of familial duties with the desire to be something. Kind of how I felt after having my son, and again when I had my daughter. They were me—long before I was me.

When I moved back to London, it was hard. Stonebridge. A concrete jungle. A new environment that was in direct juxtaposition to the freedom of Accra. I grieved my mothers and the city that raised me.

My relationship with my own mother transitioned from bonding a few times a year to a full-time endeavor. I spent a lot of time watching my mother mother my younger brother and sister. I wondered what it would have been to have that experience.

My mother’s passing brought on a permanent physical detachment from the woman who brought me into the world. I had a new perspective on life, how fleeting it could be, and an acknowledgment of what was now required of me: to care and to be cared for.

Mothering from my big sister allowed me to mother my baby sister—not replacing our own mother, but providing respite from the pain of death. We found something to bond over, to suspend us in time, relishing in the fun we had, doing each other’s hair every Sunday at 4 p.m.

Those times were when I transitioned from understanding what it meant to be mothered to processing how I might mother myself.

My baby sister and I grieved. We alleviated our pain through the creative, meditative, and ritualistic act of hairdressing.

Fast forward a couple of decades and I’m a fully-fledged mother myself—the innate kind I spoke about earlier. A mother to a boy, who came into my life when I was 22. A daughter, who came into my life when I was 31. And a business, a hair salon, and product range, conceptualized and realized along the way. But its essence began when I took time to mother my baby sister. It’s funny how life works. It’s that same humor that lets me know that my relationship with my mother only ceases to exist in a physical sense. I’m privileged to be reminded of her presence in all that I mother.

I’d known many hair salons before I owned my own.

I’ve known Afro salons, European salons, and a home salon. My own home salon, where I’d let my small but mighty crop of clients into my house in my son’s earliest years as I sought to find balance between being a mother and chasing my dreams.

The salon is best-described as a Mothers’ Meeting. An arena where women of all backgrounds come to congregate and embark on a journey of conversation, with topics ranging from the Royal Family to the latest Beyoncé album. All while receiving the nurturing that comes with getting your hair done.

I believe it’s the relationship that hairdressing has to nurturing and care. A space for women that allows them to disconnect, go inward, and focus on themselves is often the perfect antidote to the things that worry us. The act of hairdressing, and by extension, the environment in which hairdressing takes place, can feel like a long, deep breath.

A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

HARVEST FROM MOTHERHOOD

A beauty from behind
A struggle from within
Effort is at sail on a glassy sea
Strength unaware creeps into numb arms
The will keeps all in motion even when the tempest scolds
For the final reward is gold
With happiness that melts down cold

'Sɛ wɔmmɔ mmɔden a, otwa biara rennɔɔso'
Without effort, no harvest will be abundant

A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

EXULTATION

Underneath the drifting fleets of clouds
We empty the gourds of our hearts like glowing fountains
Above our chests you shall be lifted
Whiles our knees remain planted in grains of sand
Your command we desire and keep chaste O mother!
Because your love is that love we endlessly taste in every part of our existence

'Yennya asase mfi yɛn nananom hɔ, mmom yɛfɛm yɛn mma hɔ'
We do not inherit the earth from our ancestors, rather we borrow it from our children

A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

REVERENCE

We do not become what we do not respect
In the stead of the footsteps of greatness, an acquaintance alike
In both faces, a familiar grin speaking volumes of reverence, diffusing aroma of incense
Giving whom honor is due is beneficial to those that do among the few

'Obi a ɔde obu ma kɛse, bue kwan ma n’ankasa kɛseyɛ'
One who pays respect to the great paves the way for his own greatness

A MOTHER'S LOVE: DERRICK BOATENG | Beyond Noise

STRENGTH OF A WOMAN

She wakes to the world at her feet, the sound of strength from her heartbeat
No greater force than a woman knowing her worth
Even mountains she will wreck
A fruit possession of mankind
Her strength knows no boundaries

'Sɛ ɔbea a wada nyane a, mmepɔw tu'
When a sleeping woman wakes, mountains move

MODELS

Prisca Woedem Abodakpi, Daphne Kai, Fatimah Ahiave, Dzigbordi Agbettoh, Björn Kekeli Ryman, Mary Nai, Veronica Borteley Bortey, Kofi Baah, Belinda Amanor, Gifty Abodakpi, Shelly Abodakpi, Esther Kai Boadu, Nora Mensah, Patricia Dede Coffi

Photo Assistant

Edmund ‘Jollof’ Yeboah

Production

Jay Engmann, Kofi Amankwa

DIGITAL CREATIVE DIRECTION

Peter Ainsworth, Johanna Bonnevier

Special thanks to

Infiniment Coty Paris

Beyond Noise 2025

MODELS

Prisca Woedem Abodakpi, Daphne Kai, Fatimah Ahiave, Dzigbordi Agbettoh, Björn Kekeli Ryman, Mary Nai, Veronica Borteley Bortey, Kofi Baah, Belinda Amanor, Gifty Abodakpi, Shelly Abodakpi, Esther Kai Boadu, Nora Mensah, Patricia Dede Coffi

Photo Assistant

Edmund ‘Jollof’ Yeboah

Production

Jay Engmann, Kofi Amankwa

DIGITAL CREATIVE DIRECTION

Peter Ainsworth, Johanna Bonnevier

Special thanks to

Infiniment Coty Paris

Beyond Noise 2025

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